For Sam, From All His Relations

His “contemporary traditional Indian art” is iconic, showing people who grow like trees from their deep roots into the stars; people who are proud, strong, protective of their community of life and filled with humor and compassion. In a thousand ways, these people are just like Anishinabe artist and activist Sam English, who transformed from alcoholic despair into one of Native America's most highly regarded artists. Thirty years after embracing sobriety, the diabetes he has fought for a decade has taken its toll. Sam's energy to continue producing his extraordinary works of art is exhausted.

Sam’s gratitude for his recovery and recognition inspired him to give generously of his time and artwork to causes that support Indian Country’s recovery from historical trauma. In the PBS documentary Colores, he says, “My being an artist gives me the freedom to be involved with community. It gives me an opportunity to interact with my community. That gives me the energy to be creative about my community. It’s given me access to life, to be able to do this. To have people look at my art and like what I do, that grounds me. Reminds me of where I came from. Reminds me that I have a contribution to make to my community.” Indeed, there is hardly a single cause—from domestic violence and child protection, to alcoholism and diabetes—that Sam English has not given to and created art for.

Today Sam’s community, including Anglos, Hispaños and Indians, is just waking up to the fact that he has reached the time of his much-deserved retirement. In retirement, as during all the years of his working life, an artist's income is totally dependent on selling his art. Planning for the future, Sam has salted away paintings over the years in the hopes that they would provide a steady income in his golden years.

The collected paintings of Sam English constitute an unparalleled treasure trove of public art, created by the Native artist in cooperation with countless government agencies and non-proft organizations, as well as many original pieces. True to his legacy in community activism, each image makes a strong statement about Native American strengths and how we can help each other to build a better future. 

Sam hopes that selling his life’s work will provide him with an adequate retirement income, but he is hoping to find a single buyer for the collection, like a large museum, a tribe, or a private collector.

As a man who never turned away from an open hand or a good cause, it's up to us—all his relations—to step in for him, by helping to find a buyer for his magnificent life's work. Some of us might know acquisitions directors who might take up the cause. Some of us might be able to write letters to the Heard, NMAI, tribal leaders or private collectors and let them know how important Sam's art is to you.

Sam said of his art, “I want Indian people to look at it and say, ‘Hey, this is a good rendition of who we are and invokes all the things that make me feel good about myself.’” Anyone enjoying Sam’s art, or his company, is inspired both to feel good and to do better for each other.

Recommending Sam's art to your friends with money: Free

Sam English coffee table book: $47.98

Sam English signed Tribute to Wilma Mankiller: $335.00

Original Sam English paintings: Price available on request

Helping Sam create the retirement he deserves: Priceless

Parents, Tribes Not Enthused About Legal Marijuana

Marijuana is legal for recreational use in two states and for medical use in 19 states plus Washington DC (as of this writing).  Investors are excited about opportunities to create a "clean American brand" for legal marijuana, and to invest in marijuana-laced edibles, a fast-growing sector. But lots of people from tribal governments to parents, are worried about the effects of legal marijuana.

Tribes can pass laws to decriminalize marijuana, but so far most tribes firmly oppose marijuana use on tribal land, even though legalization has created something of a jurisdictional nightmare for tribal police. Tribal members can use legal or medical marijuana outside tribal borders but not on tribal lands. In the absence of specific laws prohibiting use, non-Indians can use medical marijuana on tribal lands without fear of reprisal, since the Justice Department is refraining from prosecuting medical users.

However, that hasn't stopped the Salt River Maricopa-Pima Indian Community from seizing vehicles driven by state-licensed medical marijuana patients. The tribe released a statement saying,"People who transport drugs in any jurisdiction face the possibility that they will be arrested, prosecuted, and that the vehicles they use to transport drugs may be seized." The Northern Cheyenne Tribe refused an exemption for a medical marijuana user awaiting trial. Some tribes are even going head to head with states over local prohibitions against marijuana dispensaries. Other tribes, like the Navajo Nation (which lies in two medical marijuana states), are still debating decriminalization. The tax advantage of selling legal marijuana would benefit Washington tribes in the same way that tobacco sales do, which might be more appealing if tribes weren't so thoroughly tired of cartels running grow operations on tribal lands.

Tribal officials aren't the only one who want to put the brakes on legalization. A survey of parents in Washington and Colorado show that although a majority of parents support legalization, they want to ensure that legal marijuana stays out of the hands of children, and is not advertised or used in places where children can see it. Poison control experts who sounded an alarm about the dangers of children ingesting medical marijuana have advocated in favor of childproof containers, and education programs that advise parents to treat medical marijuana the way they would any prescription drug-- secured and away from kids.

For more about issues with prescription drugs and drug endangered children in Indian Country, join us at our upcoming two-day training in Spokane, WA!